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Thirty-one volumes, fifteen genres, one hundred and fifty-five films: every title appears once, and every volume reads on its own. You can start from the genre you love or from the technique you need — each volume page lists the five films it contains and says what each of them teaches. If you would rather read one genre straight through, the complete series are among the offers.
In a courtroom as gray as a page of crime reporting, a woman looks at the same room and sees it full of spotlights, and we see it with her. Out of that single decision come the satire of the film, its editing and its ending. Five different designs, each one settling everything else.
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A boy with the face of an angel starts a tender melody at the tables of an open-air beer garden; the others pick it up one at a time, and when the shot drops to the uniform the song turns out to be an anthem. Five films that ask the most festive form in cinema to carry what was never its business.
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